SERENATA (oboe and piano)
A wistful 'serenade' for oboe and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close.
SERENATA (oboe and piano)
A wistful 'serenade' for oboe and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close.
SERENATA (violin and piano)
A wistful 'serenade' for violin and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close.
SERENATA (flute and piano)
A wistful 'serenade' for flute and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close.
SERENATA (viola and piano)
A wistful 'serenade' for viola and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close.
SERENATA (horn and piano)
A wistful 'serenade' for horn and piano. The gentle melody that weaves its way through the 'A' section becomes suddenly more restless during the 'B' section before returning to 'A' in a new key (Tempo Primo, ma appassionato). Just as the passion subsides a bit, 'B' returns with the same urgency as before, growing more intense as the final iteration of the 'A' section, in a new key, asserts itself (fortissimo), gradually subsiding to pianissimo as the piece comes to a tranquil close.
BEAUTIFUL (PVG, low voice)
A heartfelt worship song in 6/8 metre based on Isaiah 33:17 and Psalm 27:4 which reference the beauty of God. The chorus begins, 'We fix our gaze on your holy face, O Lord, our God, you're beautiful...' This is the piano-vocal-guitar version for low voice in the key of E-flat major, ideal for blended and contemporary worship services. Although it works beautifully as a vocal solo, it may be enhanced with guitar, bass, and drums for a fuller sound. Also available: vocal/piano and lead sheet editions in G major, E-flat major, and B-flat major.